The rough textures of molten earth, sun cracked surface and pitting, all qualities reminiscent of the earth’s crust. Mt Glorious is a place in Brisbane which is still classed as an active volcano. This was the sole inspiration of the initial wheel thrown bowl that has been eroded by a ripped, irregular, asymmetric rim, giving the natural, almost eroded look—as if shaped by geological forces rather than tools.
The purposefully ripped black clay at the edge was a technique learned in our recent workshop in Japan. This mix of wheel thrown and the naturally formed rim, combine opposing elements that work together with one piece.
The exterior is richly layered with variegated glazes, from deep turquoise, smoky blues, rust browns, and subtle metallic sheens. These colours blend and pool in a way that suggests weathering, fire, and mineral deposits, characteristic of atmospheric or reduction-fired ceramics.
The surface shows marks of hand-forming—slight ridges and undulations that highlight the maker’s touch. The interior appears darker and smoother, with glazing that has pooled into glossy patches.
A striking, sculptural ceramic vessel that celebrates raw texture, natural imperfection, and the unpredictable beauty of kiln-fire. It feels both ancient and contemporary—an object that could sit in a gallery or on a ritual table.
Measuring approximately 17cm high by 20 cm diameter.
The rough textures of molten earth, sun cracked surface and pitting, all qualities reminiscent of the earth’s crust. Mt Glorious is a place in Brisbane which is still classed as an active volcano. This was the sole inspiration of the initial wheel thrown bowl that has been eroded by a ripped, irregular, asymmetric rim, giving the natural, almost eroded look—as if shaped by geological forces rather than tools.
The purposefully ripped black clay at the edge was a technique learned in our recent workshop in Japan. This mix of wheel thrown and the naturally formed rim, combine opposing elements that work together with one piece.
The exterior is richly layered with variegated glazes, from deep turquoise, smoky blues, rust browns, and subtle metallic sheens. These colours blend and pool in a way that suggests weathering, fire, and mineral deposits, characteristic of atmospheric or reduction-fired ceramics.
The surface shows marks of hand-forming—slight ridges and undulations that highlight the maker’s touch. The interior appears darker and smoother, with glazing that has pooled into glossy patches.
A striking, sculptural ceramic vessel that celebrates raw texture, natural imperfection, and the unpredictable beauty of kiln-fire. It feels both ancient and contemporary—an object that could sit in a gallery or on a ritual table.
Measuring approximately 17cm high by 20 cm diameter.
